Tes Alden, collector of words, rescuer of books and counter of objects, knows ze isn’t like everyone else. This wouldn’t be such a problem if everybody else didn’t struggle with it. Hir mother prays a run-down school in the middle of nowhere may be the best place to stow hir brand of peculiarity, and Tes has nowhere better to go.
Darius Liviu lost a limb and his lover in the hell of Mul Dura. He spent the last three months as a guest of the Greensward, crafting a jointed hand from elf-sung wood and trying to ignore the mutterings of the ghost that haunts him. Now, he returns to the College to take up the second-most dangerous job open to a magician: teaching.
Tes just might be a magician in the making, if ze can survive adventures in alliterative magic and hir own lethal curiosity. Darius, though, keeps a secret that makes the usual problems of overgrown rhubarb, basilisk hordes, verbose eldritch objects, shrieking purple monkeys and cauliflower explosions look like nothing at all.
The elves are coming, and nobody fears elves more than Kit March.
Amelia March is tired of suitors breaking into her house after dark to express their undying love. Sure, it might be the fashion, but whatever happened to getting to know someone first? Why won’t they listen to her when she says she isn’t interested? And what does it mean that her cousin Kit thinks there’s a word for her approach to romantic relationships?
Old Fashioned is a story about finding words and the importance of fake cobwebs in the windows.
With Kit gone to the Greensward, Amelia March is content with her faked witchery, the ailments of her villagers and romance confined to a novel. She isn’t pleased, therefore, to find her cousin darkening her doorway—her cousin with two feet, a belly, a sword of some distinction, a story, a young girl named Osprey, a beaming smile and an undying hatred for the elves. Still, Amelia thinks she can survive the chaos, at least until Kit announces a grand plan to start a school for divergent magicians…
Newly-graduated, divergent magician Darius Liviu has scoured half the world in search of the rarest of rare magical artefacts: a tolerable talking sword. After a year of failure, one last rumour sees him risk Rajad’s chaotic, cluttered, terrifying Great Souk. The noise, the smells, the people and his inability to move without provoking disaster make everything difficult, but Darius dares the nightmare of chaos and conversations in hope of an item will draw the eye of the man he thinks he loves.
The sword he finds isn’t elegant. It isn’t tolerable. It has no intention of being gifted as a lover’s token. It is, however, set on destroying Darius’s acceptance that awkwardness and a life of misunderstandings is the best he can hope for.
Certain Eldritch Artefacts is a story about autism, adulthood and the reasons why one should never enchant inanimate objects…
Seven years ago, Darius Liviu met a talking sword belt in the Great Souk, an eldritch being who changed his life forever. In that time, he has learnt something of the sword, mastered strange magic and survived dangerous jobs, but while he has friends in Rajad, he still feels out of place—too divergent to be welcomed and accepted as mercenary and magician.
When an unexpected meeting with potential employers goes wrong, his first instinct is to flee. But a wandering monarch, Efe Kadri, has an offer that might provide the certainty for which Darius has been searching, if only he has the courage to say yes…
Prince Paide ein Iteme has lost his father, his family, his people and his home to a conquering necromancer queen and her armies of the risen dead. A last horrific battle sees him forced to discuss surrender, but that conversation is no small amount complicated when said conquering necromancer is his mother. Who might not have been entirely wrong in her overthrow of Paide’s father…
Bones interred under the palace, gold given to field-ravaged farmers and Parliament dallying over amendments: war is ended for Prince-Regent Paide ein Iteme. Or so it should be, but returning home to Ihrne in a broken body ensorcelled by a necromancer leaves Paide struggling with politicians who ignore him and servants who condescend to him. What good is a title and purpose when his words and desires have become meaningless to those around him?
Surviving the dismissal of the Eagle Court is harder than facing an army of shambling corpses. How does a dead soldier fight it when he no longer wishes to live?
Einas ein Iteme knew he wasn’t a princess. That first truth provoked violence, murder and war, leaving him the heir to the throne of Ihrne—a throne he doesn’t want and can’t hold. How can he when he struggles to put words together, won’t look courtiers in the eye and avoids people on general principle? Yet the Eyrie, even Zaishne, simply assumes Ein will find a way to become the allistic ruler he can never be.
When his brother Paide invites him to a private discussion, Ein sees a chance to voice the second truth. Paide, though, keeps secrets of his own—and doesn’t seem to recognise the fate bound to him by hundreds of devouring angels.
To begin to save Paide’s soul, Ein will have to learn what the world never stirred itself to teach: trust.
True love’s kiss will break any spell. Always be kind to wizened crones. The youngest son is most favoured by wise foxes and crows. Princes save princesses from beastly dragons and towers overgrown with briar brambles. A happily ever after always involves a wedding…
The Wind and the Stars is a short aro-ace fairy tale about heroes, love, adulthood and the worlds we make in the stories we tell.
A young transgender magician travels the world on a quest for a mystical talking sword. A witch wonders why her would-be lovers can’t date her the old-fashioned way. A cross-dressing man meets a suit-clad soul whose gender defies definition. A non-binary zombie wonders why ze is not the hero in science fiction stories. A genderqueer manservant tries to save her mentally-ill lover with a deck of tarot cards. A boy looks at himself in the mirror and ponders the fear of telling his family that his name isn’t Susan.
A collection of short stories by emerging Australian writers. Edited by Emanuel Cachia at Error Proof.
‘The Palace and the Tower’ (fiction): To save her kingdom and set her dying father’s heart at ease, all Lina has to do is choose a prince. The only way to know if her many suitors are kind and worthy gentlemen, of course, is to send them to rescue a princess. The princess, however, has other plans…