I write queer fantasy that discusses serious topics like ableism, cissexism and mental illness while attempting a little quirky setting-based humour. You know–giant rhubarb, walking corn cobs, a witch with demons in her root cellar, an annoying talking sword belt. That sort of thing. Much of it is short-form narrative, be it short stories or novelettes; it’s easier to manage given the limitations of my chronic pain.
Most works feature trans or non-binary, autistic and aromantic narrating protagonists. Everybody is queer in some way, and while I won’t annoy the writing gods by claiming that I’ll never write another neurotypical protagonist, it is exceptionally unlikely.
Many of these books—particularly the Marchverse and The Eagle Court books—feature intersecting plots and characters, so if you’d like to know more, please click on the series header links. If you’d like to know what I’m currently working on, please check out the in progress page.
Necromancer Mara Hill has waited weeks for the Thinning: the one night the dead walk freely amongst the living. Her wandering great-aunt, Rosie, was wise in the way of magic and the world, and Mara knows of none other to ask. Books and magic alike haven’t restored her fading love, and Benjamin Lisabet is too wonderful to risk losing. Why can’t Mara keep herself from falling out of love whenever the girl she yearns for dares love her back?
She’s sure that Aunt Rosie’s spirit will offer up needed advice. She just doesn’t expect a deluge of deceased villagers set on unravelling everything Mara knows about what it means to love and be in love.
Contains: a sapphic, lithromantic trans witch fearing her shape of love; a bisexual aunt who adores girls; an aro-ace trans brother armed with pokers; a wealth of casual queerness; and a world learning to be bold about its own diverse aromanticism.
Esher Hill left his home and kin a crying wreck of a man, too depressed and dysphoric to care what his people make of him. If he’d had his way, that would have been the end of it.
His sister Mara, the village witch, made sure he didn’t.
Two and a half years later, Esher owns two dogs, a blade, a career and a new body—the shape of masculinity he always felt he should be. A miracle Mara refuses to explain. A miracle the Sojourner’s priests reject and fear. A miracle, say the Grey Mages, that cannot exist without something precious sacrificed in exchange: a soul.
Returning home in search of his sister and the truth isn’t just a matter of enduring stares, whispers, explanations and the condescending pity from those he left behind.
Love holds edges sharper than Esher’s sword, for nobody wins but demons in the sale of souls.
Contains: a graysexual, aromantic trans man fighting his own mind; the trans sorcerer of a sister who loves him; a grizzled aro-ace mayor and barkeep; and a heavy reliance on schemes and manipulations in the absence of simple communication.
Esher Hill’s dying sister once gave her magic to save Esher’s life. Saving Mara means venturing into the Gast, a dangerous place of magic walled off from the rest of the world, in search of an ancient elfish relic.
He won’t survive the Gast alone.
Faiza Hiba Khalil studied dragons and artefacts to escape the pressures of title and family. They leap at the opportunity to use their knowledge on Esher’s quest—even if they have no idea how to use the sword that accompanies their fire-proof armour.
Marie and Sarie Roxleigh know two things: they are women and they are wed. Astreut disagrees. In the wilds of the Gast, they may find power enough to make their safety—but they have no reason to trust Esher and his crew.
Kit March is a magician and trickster with quick words, an affinity for narrative and a heart filled with guilt—but Kit’s magic is designed to impress and entertain, not protect.
Indigo has mastered horses, weapons and a biting absence of fear, but nothing else about hir life will ze share. Ze serves the Grey Mages, not Esher—but ze alone knows where and how to find the artefact that will save Mara’s life.
Esher can’t risk a single mistake, but his crew may be more dangerous to Esher than the Gast.
Contains: an assortment of characters occupying shades of trans, non-binary, queer, asexual, aromantic, mentally ill and autistic; conflicting goals that threaten to run this quest off its rails; and a strange rainforest where flora merges with fauna and unnamed demons wander.
⁕ Amelia March ⁕
Amelia March is tired of suitors breaking into her house after dark to express their undying love. Sure, it might be the fashion, but whatever happened to getting to know someone first? Why won’t they listen to her when she says she isn’t interested? And what does it mean that her cousin Kit thinks there’s a word for her approach to romantic relationships?
Old Fashioned is a story about finding words and the importance of fake cobwebs in the windows.
Contains: an irascible, trans, autistic witch learning the word “demiromantic”; her infuriating, gay, aromantic, trans brother delivering an explanation; a black cat with an unimaginative name; and the bewildering actions of the alloromantic.
With Kit gone to the Greensward, Amelia March is content with her faked witchery, the ailments of her villagers and romance confined to a novel. She isn’t pleased, therefore, to find her cousin darkening her doorway—her cousin with two feet, a belly, a sword of some distinction, a story, a young girl named Osprey, a beaming smile and an undying hatred for the elves. Still, Amelia thinks she can survive the chaos, at least until Kit announces a grand plan to start a school for divergent magicians…
Contains: a trans, demiromantic autistic who just wants to be alone with her cat; her trans, aromantic, autistic cousin set on upending her life; a mysterious weapon of mythical provenance; and a looming elfish threat.
⁕ Efe and Darius ⁕
Newly-graduated, divergent magician Darius Liviu has scoured half the world in search of the rarest of rare magical artefacts: a tolerable talking sword. After a year of failure, one last rumour sees him risk Rajad’s chaotic, cluttered, terrifying Great Souk. The noise, the smells, the people and his inability to move without provoking disaster make everything difficult, but Darius dares the nightmare of chaos and conversations in hope of an item will draw the eye of the man he thinks he loves.
The sword he finds isn’t elegant. It isn’t tolerable. It has no intention of being gifted as a lover’s token. It is, however, set on destroying Darius’s acceptance that awkwardness and a life of misunderstandings is the best he can hope for.
Certain Eldritch Artefacts is a story about autism, adulthood and the reasons why one should never enchant inanimate objects…
Contains: a trans, pansexual, autistic magician’s misadventures in a cluttered hell; a verbose eldritch entity; a too-helpful weapons dealer; a good amount of casual queerness; and a decision Darius will surely live to regret.
How can the want for another person make an intelligent man gift something so precious?
When Akash’s former lover refuses to return a family heirloom, Darius knows only one way to help his mate—even if it means ignoring several laws in the process. The magic he mastered in surviving the College and the mercenaries has surprising utility in the art of larceny, at least once he gets past the stomach-knotting anxiety. When Darius makes the mistake of asking Akash why, however, getting caught in a stranger’s third-floor bedroom seems like nothing compared to comprehending the mysteries of romance and friendship.
Contains: a trans, abrosexual, aromantic autistic breaking the rules for the friends he loves; a queer trans man and a pansexual, aromantic genderqueer in a QPR; and an acceptance borne from a midnight flight through the streets of Rajad.
Seven years ago, Darius Liviu met a talking sword belt in the Great Souk, an eldritch being who changed his life forever. In that time, he has learnt something of the sword, mastered strange magic and survived dangerous jobs, but while he has friends in Rajad, he still feels out of place—too divergent to be welcomed and accepted as mercenary and magician.
When an unexpected meeting with potential employers goes wrong, his first instinct is to flee. But a wandering monarch, Efe Kadri, has an offer that might provide the certainty for which Darius has been searching, if only he has the courage to say yes…
Contains: a trans, abrosexual, autistic magician who comes out as aromantic to a terrifying eldritch entity; a cis, bisexual, allistic king who can’t be simply identified as ally or enemy; and the beginning of a quest that will likely end in chaos and magic.
⁕ The Eagle Court ⁕
The best he can find is ugly compromise.
Prince Paide ein Iteme has lost his father, his family, his people and his home to a conquering necromancer queen and her armies of the risen dead. A last horrific battle sees him forced to discuss surrender, but that conversation is no small amount complicated when said conquering necromancer is his mother. Who might not have been entirely wrong in her overthrow of Paide’s father…
Contains: a cis, pansexual, allistic prince fighting a war on which there’s no right side; a cis necromancer queen summoning the dead for her trans son; and a surrender that doesn’t exactly have a happy ending.
Too alive to die and too dead to live.
Bones interred under the palace, gold given to field-ravaged farmers and Parliament dallying over amendments: war is ended for Prince-Regent Paide ein Iteme. Or so it should be, but returning home to Ihrne in a broken body ensorcelled by a necromancer leaves Paide struggling with politicians who ignore him and servants who condescend to him. What good is a title and purpose when his words and desires have become meaningless to those around him?
Surviving the dismissal of the Eagle Court is harder than facing an army of shambling corpses. How does a dead soldier fight it when he no longer wishes to live?
Contains: a cis, allistic, pansexual, aromantic prince occupying an unnatural position between life and death; an allistic, trans general doing her best to offer solutions and friendship; and a goodly amount of the ableism one faces as a disabled man in an ableist court.
In a nation of liars, an honest man cannot rule.
Einas ein Iteme knew he wasn’t a princess. That first truth provoked violence, murder and war, leaving him the heir to the throne of Ihrne—a throne he doesn’t want and can’t hold. How can he when he struggles to put words together, won’t look courtiers in the eye and avoids people on general principle? Yet the Eyrie, even Zaishne, simply assumes Ein will find a way to become the allistic ruler he can never be.
When his brother Paide invites him to a private discussion, Ein sees a chance to voice the second truth. Paide, though, keeps secrets of his own—and doesn’t seem to recognise the fate bound to him by hundreds of devouring angels.
To begin to save Paide’s soul, Ein will have to learn what the world never stirred itself to teach: trust.
Contains: a genderflux, aro-ace, autistic prince seeking to rule on his own terms; a cis, allistic prince learning to be a regent instead of an heir; an allistic, trans general working to support both brothers; and the challenge of governing a kingdom while trans and disabled.
Tes Alden, collector of words, rescuer of books and counter of objects, knows ze isn’t like everyone else. This wouldn’t be such a problem if everybody else didn’t struggle with it. Hir mother prays a run-down school in the middle of nowhere may be the best place to stow hir brand of peculiarity, and Tes has nowhere better to go.
Darius Liviu lost a limb and his lover in the hell of Mul Dura. He spent the last three months as a guest of the Greensward, crafting a jointed hand from elf-sung wood and trying to ignore the mutterings of the ghost that haunts him. Now, he returns to the College to take up the second-most dangerous job open to a magician: teaching.
Tes just might be a magician in the making, if ze can survive adventures in alliterative magic and hir own lethal curiosity. Darius, though, keeps a secret that makes the usual problems of overgrown rhubarb, basilisk hordes, verbose eldritch objects, shrieking purple monkeys and cauliflower explosions look like nothing at all.
The elves are coming, and nobody fears elves more than Kit March.
Contains: an aromantic, abrosexual, autistic, trans magician who fears being seen as disabled and can’t stop saving people; an aro-ace, genderless, autistic student who fears being seen as incapable and can’t resist poking hir nose behind closed doors; and a looming elfish threat.
True love’s kiss will break any spell. Always be kind to wizened crones. The youngest son is most favoured by wise foxes and crows. Princes save princesses from beastly dragons and towers overgrown with briar brambles. A happily ever after always involves a wedding…
The Wind and the Stars is a short aro-ace fairy tale about heroes, love, adulthood and the worlds we make in the stories we tell.
A young transgender magician travels the world on a quest for a mystical talking sword. A witch wonders why her would-be lovers can’t date her the old-fashioned way. A cross-dressing man meets a suit-clad soul whose gender defies definition. A non-binary zombie wonders why ze is not the hero in science fiction stories. A genderqueer manservant tries to save her mentally-ill lover with a deck of tarot cards. A boy looks at himself in the mirror and ponders the fear of telling his family that his name isn’t Susan.
A collection of short stories by emerging Australian writers. Edited by Emanuel Cachia at Error Proof.
‘The Palace and the Tower’ (fiction): To save her kingdom and set her dying father’s heart at ease, all Lina has to do is choose a prince. The only way to know if her many suitors are kind and worthy gentlemen, of course, is to send them to rescue a princess. The princess, however, has other plans…