Change One: Books and Availability

This is the first announcement of several that I’ll be making over the next few weeks as I work to make my writing contribute at least a little to good causes like food, medication and therapy.

So, to this end, I’m going to be making some changes that can be summarised thus: fewer books available for free but wider availability.

A cartoony-vector-style image of a somewhat-overgrown garden against a grey stone wall, with a wooden signpost embedded in the grass just in front of the wall. Three wooden picture frames are nailed into the signpost, enclosing the cover images for Conception, The Adventurer King and The King of Gears and Bone. A wooden plank nailed above the sign post bears the text "updates" in white. Two bushes--one with orange tulip-style flowers and the other with yellow roses--sit in front of the sign, and a pink rose climbs the wall behind it. Trailing ivy and brambles climb over the edges of the signpost and hang down over it, slightly obscuring the covers in the picture frames.

From July 1, the only free complete works will be Old Fashioned, Certain Eldritch Artefacts, Their Courts of Crows, The Wind and the Stars and Crooked Words, plus any assorted side stories I post for fun. Everything else will have a price tag, unless you wish to provide donations or patronage (the method of how you might go about this will be the subject of another announcement post). If you do seek to support me outside of buying books directly, everything I self-publish will be made available to you for free.

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Current Projects

I honestly don’t know how people manage to create in conventional straight lines, the kind where one begins a project, stays with it and doesn’t get distracted by other ideas.

I’ve got two stories I’m working on that were supposed to be quick, short, flash-fiction pieces about aro characters I could post to @aroworlds before returning to my List Of Many In-Progress Works. (Like, for example, editing a Kit March chapter.) These pieces ended up being seven and eleven thousand words, and, for different reasons, they’ve become far too significant to the protagonists’ character arcs to be left as side stories. So I’m left pulling at my hair (literally) while wandering down lanes I never intended on travelling.

So let me talk at you about what’s forthcoming, since the writing gods have determined I must do this. I’m still not sure on release dates or how I’m going to go about it. One Strange Man is reasonably close to final proofing, but Love is the Reckoning needs a bit more redrafting.

Cover of One Strange Man: A Marchverse Short Story by K. A. Cook. Cover shows a wooden door, bolted shut, set into a stone wall, with dangling ivy and climbing roses obscuring the wall and part of the door. The ground in front of the door is brown earth and has a thin-bladed green bush growing in front of it. A glowing white marble sits on the earth by the base of one of the roses on the bottom left-hand side of cover. Text is written in a white, handdrawn, fantasy-style type.One Strange Man

How can the want for another person make an intelligent man gift something so precious?

When Akash’s former lover refuses to return a family heirloom, Darius knows only one way to help his mate—even if it means ignoring several laws in the process. The magic he mastered in surviving the College and the mercenaries has surprising utility in the art of larceny, at least once he gets past the stomach-knotting anxiety. When Darius makes the mistake of asking Akash why, however, getting caught in a stranger’s third-floor bedroom seems like nothing compared to comprehending the mysteries of romance and friendship.

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Fiction: The King of Gears and Bone

Cover image of The King of Gears and Bone by K. A. Cook. Cover has a waterstained paper background with grey line drawings of the bones of a human hand and wrist, a head of wheat, an acorn, a small dandelion head, a long-legged wire-haired dog and an arrow, with the title written in alternating serif and handdrawn type. The effect is something like a sketch in an antique journal.In a nation of liars, an honest man cannot rule.

Einas ein Iteme knew he wasn’t a princess. That first truth provoked violence, murder and war, leaving him the heir to the throne of Ihrne—a throne he doesn’t want and can’t hold. How can he when he struggles to put words together, won’t look courtiers in the eye and avoids people on general principle? Yet the Eyrie, even Zaishne, simply assumes Ein will find a way to become the allistic ruler he can never be.

When his brother Paide invites him to a private discussion, Ein sees a chance to voice the second truth. Paide, though, keeps secrets of his own—and doesn’t seem to recognise the fate bound to him by hundreds of devouring angels.

To begin to save Paide’s soul, Ein will have to learn what the world never stirred itself to teach: trust.

Vendors: [Smashwords]

Formats: [PDF] | [EPUB]

Length: 12, 500 words / 43 pages.

Master Page: The Eagle Court | Beginning: Their Courts of Crows | Previous: A Prince of the Dead.

Please note that The King of Gears and Bone explores familial abuse, so I recommend reading the included content advisory if this might be a concern.

The King of Gears and Bone takes place in the evening of the same day as A Prince of the Dead. This is also the book that gives some explanation as the reasoning behind Ihrne’s names, along with more detail on Ihrne’s religion and the Convocation’s relationship with their necromancers. Curious fact nobody asked for: there’s no such thing as a shroudname in Ihrne, and I should write a short side fic where Amelia and Kit learn that everybody they’ve met in Ihrne has just given a witch and a magician access to their real names.

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Fiction: The Adventurer King

Cover image for The Adventurer King by K. A. Cook. Cover features a red leather-bound journal sitting on a wood panel background, like that of a tabletop or floor, with the text sitting on top of the book image in a gold fantasy-style handdrawn type. Objects sit on top of the book cover: a blue pen with a gold nib dripping ink, a screwed-up piece of white paper, a cream scroll with a green seal, a cream and silver compass, and a piece of rope. A grey single-edged sword blade sits underneath the book, and black handdrawn type atop the blade reads "an efe and darius story". The images have a cartoony, vectory feel.Seven years ago, Darius Liviu met a talking sword belt in the Great Souk, an eldritch being who changed his life forever. In that time, he has learnt something of the sword, mastered strange magic and survived dangerous jobs, but while he has friends in Rajad, he still feels out of place—too divergent to be welcomed and accepted as mercenary and magician.

When an unexpected meeting with potential employers goes wrong, his first instinct is to flee. But a wandering monarch, Efe Kadri, has an offer that might provide the certainty for which Darius has been searching, if only he has the courage to say yes…

Vendors: [Smashwords]

Formats: [PDF] | [EPUB]

Length: 11, 350 words / 40 pages.

This is the last of the Marchverse rewrites, aside from, eventually, Kit March itself. At the moment, I have the bones of a story that comprises the first half of Darius and Efe’s doings in Ashad, and an earlier story, now called Blood and the Ravens, that will cover Darius’s beginnings with Eren Adalet and show his connections with the Ravens, because that is going to become more important later on. There’s a wealth of story material in Darius’s years with Efe and Aysun should I ever find myself at a want for more to write, but I see The Adventurer King as the first in a rough trilogy of novelettes that form the beginning of Darius and Efe’s relationship, and then I’d like to stop for a little while.

In terms of timeline, The Adventurer King takes place seven years after Certain Eldritch Artefacts and seven years before Tes arrives at the College. Darius has been six years a student and one year a mercenary.

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A Project of Threes

Does anyone want to know what projects I have settled on for the next couple of months?

I have decided to take more time over All The Trees in the Sky, but I still want to try having two more stories – with autistic protagonists – available for April, because there is no such thing as too many stories about trans, autistic characters being trans and autistic.

I would also like to post the next Kit March chapter in the next few weeks. I don’t know how consistent I will be with this, because pain leaves me a liar every time I try to put a date or schedule to my work, but I am trying to post a chapter every two months or so.

The Adventurer King

Cover image for The Adventurer King by K. A. Cook. Cover features a red leather-bound journal sitting on a wood panel background, like that of a tabletop or floor, with the text sitting on top of the book image in a gold fantasy-style handdrawn type. Objects sit on top of the book cover: a blue pen with a gold nib dripping ink, a screwed-up piece of white paper, a cream scroll with a green seal, a cream and silver compass, and a piece of rope. A grey single-edged sword blade sits underneath the book, and black handdrawn type atop the blade reads "an efe and darius story". The images have a cartoony, vectory feel.This is getting a re-write, but more from a matter of consistency and character/setting development than anything else. When I wrote this, I had the idea of following it up with a story or two showing Darius’s progression from thinking himself alloromantic to realising that he’s an aro trying to be alloromantic, but I’ve realised that this isn’t a narrative I wish to draw out. (This was why Darius didn’t respond to the belt, incidentally – that and it’s pretty obvious that the belt has narrow views on the nature of human sexuality.) There aren’t enough aro protagonists in the world (especially trans, autistic, allosexual aro protagonists) to make aro readers wait, and I find the idea of a following story where Darius is just aro and dealing with the allo Efe far more entertaining than the “shades, am I aromantic” or coming-out story.

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The Unnatural Philosophy of Kit March: Maker

Cover image for K. A. Cook's 'The Unnatural Philosophy of Kit March'. Vector/cartoon styling of a creepy folly/shack/treehouse with various gothic accoutrements and a crow or raven perched on the roof. Folly is surrounded by more vector images of trees, bushes and scrub set on a cartoony green-hill background. Typeface for author and title credit is white stroked with black. The whole thing is very flat/one-dimensional and looks like a still from an 80s cartoon.Tes Alden, collector of words, rescuer of books and counter of objects, knows ze isn’t like everyone else. This wouldn’t be such a problem if everybody else didn’t struggle with it. Hir mother prays a run-down school in the middle of nowhere may be the best place to stow hir brand of peculiarity, and Tes has nowhere better to go.

Darius Liviu lost a limb and his lover in the hell of Mul Dura. He spent the last three months as a guest of the Greensward, crafting a jointed hand from elf-sung wood and trying to ignore the mutterings of the ghost that haunts him. Now, he returns to the College to take up the second-most dangerous job open to a magician: teaching.

Tes just might be a magician in the making, if ze can survive adventures in alliterative magic and hir own lethal curiosity. Darius, though, keeps a secret that makes the usual problems of overgrown rhubarb, basilisk hordes, verbose eldritch objects, shrieking purple monkeys and cauliflower explosions look like nothing at all.

The elves are coming, and nobody fears elves more than Kit March.

Maker: Darius chose Tes’s presence over his health, a gift for which books, stones and homewares are no just recompense. How can ze repay a magician when ze isn’t sure, despite his words, that ze still belongs at the College?

Chapter count: 10, 415 words.

Content advisory: Darius uses the word “cripple” to describe himself in a way that’s more self-hatred than reclamation and “crippling” to describe the loss of his hand. Tes thinks hirself wrong for being aro-ace, which is debunked in non-subtle references to the stereotype of autistics being perceived as incapable of love by allistics. Both use “broken” to refer to themselves. There are also discussions of blood magic, sacrifice and the gnomes used as weapons/torture devices. It’s implied over several paragraphs that the Lord mutilated Darius as a means of imprisoning a multi-disciplined magic worker via limiting his ability to pay for magic. Tes’s statement about Darius no longer being a soldier is also cruel and ableist to say to a disabled man, but ze doesn’t realise this. Also, I reference sexual assault, ableism and allosexism in my first note.

Note the first: These days, I’m ace. Pan aro-ace. I suspect I feel aesthetic attraction, miscategorised as sexual because that’s what society says you’re supposed to feel. Unfortunately, being a-spec, autistic and otherwise disabled is an uncomfortable thing with activists using the words “desexualisation” and “dehumanisation” to deny me representation and the visibility/knowledge it gives. If I’d known I was aro-ace, I wouldn’t have found myself trying to perform the cisheteronormative and amatonormative relationships that put me—an autistic who struggles to communicate no in ways allistics hear and respect—in violating situations. It matters to me that Tes gets words sooner rather than later, and it matters to me to be able to show a journey through Darius that isn’t immediate recognition of one’s aromanticism, a belated recognition coloured by an autistic’s position in navigating social norms.

Note the second: Yes, the words “asexual” and “aromantic” don’t fit the linguistic approach used for other terms in narrative. (Although there is a point in the construct of “same” (cis) and “similar” (allistic) as used by trans autistics, namely that autism and gender for us are inseparable; I haven’t yet had the space to show how this language is seldom used by allistic trans people.) I find there is some awareness of “autism” and “trans” (for all that we autistics know the dangers of awareness) when I speak them to others, but “asexual” was only recently added to the dictionary. Hence, I decided to use the real words, representation over consistency, as they’re too seldom spoken even when we do exist as characters. (Although “autism” as a word does exist in Amelia’s medical texts, and should my shoulder let me work on Conception, you’ll find out why Amelia and Kit don’t use it.) In the rewrite, I probably won’t use fantastic terms at all: if a horse is called a horse in fantasy, and a sword a sword, a trans person can be called a trans person. It says something about being trans (internalised cissexism) that I did feel, on starting to write this, that it is too modern a word to work, but why should it be?

Maybe you’ll know, one day, that memory names.

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Short Fiction: Old Fashioned

Cover image for K. A. Cook's "Old Fashioned: an Amelia March Story". Cover has a vector image cartoony style picture of a bedroom with rough-made furniture--bed, stool, chest of drawers, a shelf. Magical items like bone amulets, glowing mushrooms and spell bottles are hanging from or sitting on the shelf. The title and author credit are written in red and white handwritten type.Amelia March is tired of suitors breaking into her house after dark to express their undying love. Sure, it might be the fashion, but whatever happened to getting to know someone first? Why won’t they listen to her when she says she isn’t interested? And what does it mean that her cousin Kit thinks there’s a word for her approach to romantic relationships?

Old Fashioned is a story about finding words and the importance of fake cobwebs in the windows.

This is another rewrite of mine, since the original version was written long before I knew that aromanticism was a thing. It was meant to be a slightly snarky take on romance tropes, but it was actually an awkward mess of a story about a character who should have been aro-spec written by an unknowingly aro author. Besides, rewriting Old Fashioned meant that I could properly fit it into the Kit March canon.

Rewriting this also spawned another Amelia story I’ll be editing and formatting, where Kit ends up on her doorstep after returning from the Greensward with a brand new foot, a sword of some significant provenance, a girl called Osprey as his companion and a plan to get revenge on the elves by teaching magic to autistic students. So I don’t think anyone will mind too much about these tangential forays…

Readers should note that this takes place forty years before [The Unnatural Philosophy of Kit March] and twenty-six years before [Certain Eldritch Artefacts].

The original version of the story, where Amelia isn’t intentionally autistic and aromantic (and Kit isn’t present), can be found in [Crooked Words]. The new and expanded version can be found at the links below:

Vendors: [Smashwords]

Formats: [PDF] | [EPUB]