This is long.
Also, as of time of posting, Wizards’ website is down for maintenance, so links may or may not work.
You may or may not know that I have two major fandoms. (I like a great many books and most things that are European melodic metal, but they’re not fandoms for me; most of the time I don’t discover that Eluveitie or Dark Tranquillity released their new album until six months after the fact. Likewise, I can wait a few months to get the latest Robin Hobb, even though every time I read her books I grin because I had a friend who was ultra-conservative Catholic and a Hobb fan, but cut off contact with me as soon as I started coming out, and I bet she just about imploded when she started reading about Sedric and Carson in The Rain Wild Chronicles.) One is Magic the Gathering, because it’s a trading card game that’s amazingly feminist for a mainstream property targeted at dudes, and while I think the technical writing in Uncharted Realms is most often terrible, predictable or bleh, I’m always impressed by both the worldbuilding and the lack of gender-essentialism in MtG’s terms, titles and characters. Now, if Wizards can only continue their impressive work on gender-equality in Legendary characters (in Tarkir block more than half of all Legendary characters are female, and the number goes up when you count twice-printed characters like the original Khans and the Dragonlords) with equality in their roster of Planeswalkers, and take the great move that is Alesha, Who Smiles at Death and Ashiok (but only if they stop avoiding pronouns and declare Ashiok to be specifically genderless, please) to more queer Legendaries and Walkers, I’ll die happy.
I happened across this article. On the surface, it looks positive, right? A man writing lead female characters of colour? Representation in a genre that still denies representation to people who are not cis/straight/white/able-bodied/neurotypical/thin/male? Isn’t that awesome?
Unfortunately, to me, the piece pretty much encapsulates one of the major problems with majority people writing minority characters: the ‘look at me I’m writing about minorities’ mode of self-promotion.
I can’t help but read this as ‘I look at WOC and see them as human!’ It’s not so pretty when phrased like that, right?
(Warning: very long post. I talk about queer genre fiction, who writes it, who reads it and my place in it as a queer writer of queer genre fiction.)
Or: queer genre fiction that is not fantasy!
Can I just say thanks to whoever has been promoting my last rec post on Twitter? Someone’s responsible for a major boost in blog traffic. I hope my thoughts on queer genre fiction are useful to readers in want of good reads.
As you may know, I’m primarily – at least in long-form prose writing – a fantasy/spec fic writer. I’ll write all kinds of things in short form, as I hope Crooked Words attests to, and I have been accused by Ian Irvine Hobbson of writing grungy realist literature. (I know, right?) I’m giving feature-length contemporary screenplays a shot, but when it comes to long-form prose, I write fantasy, and I can’t see that changing. My literary references are all fantastic: I grew up on Narnia, was given The Lord of the Rings by my mother at fifteen (I own vintage 1970s Allen and Unwin editions of the trilogy and The Silmarillion, the latter of which I have read as many times as the former) and spent the next seven or eight years throwing myself headlong into anything speculative I could get my hands on. These days I read all sorts of things both from a need of representation and having refined my palate due to being quite widely read in the genre, which might explain the side trips into realist grunge, but I am always going to be coming back to fantasy as both a creative and a reader.
(Actually, I write grungy realist fantasy, too. When I say that I wrote my novel about leads with mental illness, I mean leads with mental illness and not the usual light touch that passes for it. Oscar, anyone?)
However, in the quest for representation, I will read anything, and this post is about the anything.
I’ve been commenting on a friend’s posts, and every time I comment I find myself in rec mode because I have read a lot and have all the opinions on the things I read.
Luckily for you, she’s sensible enough to tell me that I should create a post.
I want to begin this by saying that their presence on this list doesn’t mean these works are free of problematic material. Not all of the writing is awesome, many of these books are not particularly intersectional in terms of inclusiveness and there will be things I missed given my own sphere of privilege. These are just the best books I’ve read (and I haven’t read everything: there’s plenty of queer-inclusive fantasy on my to-buy list for when I start my job) in terms of queer characters.